<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">digitallaw</journal-id><journal-title-group><journal-title xml:lang="en">Journal of Digital Technologies and Law</journal-title><trans-title-group xml:lang="ru"><trans-title>Journal of Digital Technologies and Law</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2949-2483</issn><publisher><publisher-name>Kazan Innovative University named after V. G. Timiryasov</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.21202/jdtl.2024.8</article-id><article-id custom-type="edn" pub-id-type="custom">shflwb</article-id><article-id custom-type="elpub" pub-id-type="custom">digitallaw-377</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ARTICLES</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>СТАТЬИ</subject></subj-group></article-categories><title-group><article-title>Authors’ Moral Rights in the Digital Environment</article-title><trans-title-group xml:lang="ru"><trans-title>Моральные права автора в цифровой среде</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-9152-5950</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Сапи</surname><given-names>Э.</given-names></name><name name-style="western" xml:lang="en"><surname>Sápi</surname><given-names>E.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Эдит Сапи – PhD, доцент, кафедра гражданского права</p><p>H-3515 Университетский городок, г. Мишкольц</p><p>Scopus Author ID: https://www.scopus.com/authid/detail.uri?authorId=57308570200</p><p>WoS Researcher ID: https://www.webofscience.com/wos/author/record/AEQ-0477-2022</p><p>Google Scholar ID: https://scholar.google.hu/citations?user=KTxQEiMAAAAJ</p></bio><bio xml:lang="en"><p>Edit Sápi – PhD, Assistant Professor, Department of Civil Law, Faculty of Law</p><p>3515 Miskolc-Egyetemváros, Miskolc</p><p>Scopus Author ID: https://www.scopus.com/authid/detail.uri?authorId=57308570200</p><p>WoS Researcher ID: https://www.webofscience.com/wos/author/record/AEQ-0477-2022</p><p>Google Scholar ID: https://scholar.google.hu/citations?user=KTxQEiMAAAAJ</p></bio><email xlink:type="simple">edit.sapi@uni-miskolc.hu</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Университет Мишкольца</institution><country>Венгрия</country></aff><aff xml:lang="en"><institution>University of Miskolc</institution><country>Hungary</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>21</day><month>03</month><year>2024</year></pub-date><volume>2</volume><issue>1</issue><elocation-id>141–162</elocation-id><permissions><copyright-statement>Copyright &amp;#x00A9; Sápi E., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Сапи Э.</copyright-holder><copyright-holder xml:lang="en">Sápi E.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.lawjournal.digital/jour/article/view/377">https://www.lawjournal.digital/jour/article/view/377</self-uri><abstract><sec><title>Objective</title><p>Objective: to answer the question whether the authors’ moral rights the in the digital environment correspond to their original purpose, and to determine the impact of the development of social networking platforms, artificial intelligence technologies and non-fungible tokens (NFT) on the transformed role and features of the protection of the author’s moral rights under modern conditions.</p></sec><sec><title>Methods</title><p>Methods: the research is based on historical-legal, comparative-legal and formal-dogmatic methods. Legal institutions and legal practice on the issue of protection of the author’s moral rights are subjected to critical analysis.</p></sec><sec><title>Results</title><p>Results: the genesis and normative fixation of the author’s moral rights are investigated in historical retrospect. It is noted that at present the protection of these rights is insufficiently regulated at the international level, while national copyright law, for example, of continental European states, provides a sufficiently strong protection of the author’s moral rights; however, the effectiveness of the latter is weakening in the digital age. The paper analyzes the changing landscape of copyright relations caused by technological progress: in social networks, in the generation of works by artificial intelligence, and in the creation of digital works of art. The thesis is substantiated that the author’s moral rights are undesirable in the context of social platforms. The paper proposes solutions to the issues of authorship of works created by artificial intelligence, violation of author’s rights, and integrity in case of full or partial borrowing of a work to generate a new work by artificial intelligence. The role of NFT technologies in solving the problem of preserving the author’s moral rights is defined.</p></sec><sec><title>Scientific novelty</title><p>Scientific novelty: the work fills a gap in research on the relationship between copyright and technological development. It identifies and evaluates the innovations in the purpose and content of the author’s moral rights, caused by the processes of digitalization, and attempts to solve the problem of the author’s rights compliance with technological progress.</p></sec><sec><title>Practical significance</title><p>Practical significance: the obtained results may serve as a conceptual basis for further development and improvement of national legislation and international legal regulation in the field of copyright protection, transformation of the objectives, role and place of the author’s moral rights in the digital environment.</p></sec></abstract><trans-abstract xml:lang="ru"><sec><title>Цель</title><p>Цель: ответить на вопрос, соответствуют ли моральные права автора в цифровой среде своему первоначальному предназначению, и определить влияние развития платформ социальных сетей, технологий искусственного интеллекта и невзаимозаменяемых токенов (NFT) на трансформацию в современных условиях роли и особенностей защиты моральных прав автора.</p></sec><sec><title>Методы</title><p>Методы: в основу исследования положены историко-правовой, сравнительно-правовой и формально-догматический методы. Правовые институты и юридическая практика по вопросу защиты моральных прав автора подвергаются критическому анализу.</p></sec><sec><title>Результаты</title><p>Результаты: в исторической ретроспективе исследуется генезис и нормативное закрепление моральных прав автора. Отмечается, что в настоящее время защита этих прав получила недостаточную правовую регламентацию на международном уровне, тогда как национальное авторское право, например, континентальных европейских государств, предоставляет моральным правам авторов достаточно сильную защиту, эффективность которой, однако, ослабевает в цифровую эпоху. Анализируется изменение ландшафта авторско-правовых отношений, обусловленное технологическим прогрессом: в рамках социальных сетей, при генерации произведений искусственным интеллектом, а также при создании цифровых произведений искусства. Обосновывается тезис о нежелательности моральных прав автора в контексте социальных платформ. Решаются вопросы авторства произведений, созданных искусственным интеллектом, нарушения прав на авторство и целостность в случае полного или частичного заимствования произведения для генерации искусственным интеллектом нового произведения. Определяется роль технологий NFT в решении проблемы сохранения моральных прав автора.</p></sec><sec><title>Научная новизна</title><p>Научная новизна: настоящая работа восполняет пробел в исследованиях взаимосвязи авторского права и технологического развития. В ней выявляются и оцениваются новации предназначения и содержания моральных прав автора, обусловленные процессами цифровизации, а также предпринимаются попытки решения проблемы соответствия авторского права технологическому прогрессу. </p></sec><sec><title>Практическая значимость</title><p>Практическая значимость: полученные результаты исследования могут служить концептуальной основой дальнейшего развития и совершенствования национального законодательства и международного правового регулирования в области защиты авторских прав, трансформации целей, роли и места моральных прав автора в цифровой среде.</p></sec></trans-abstract><kwd-group xml:lang="ru"><kwd>авторское право</kwd><kwd>искусственный интеллект</kwd><kwd>моральные права автора</kwd><kwd>невзаимозаменяемые токены (NFT)</kwd><kwd>охрана (защита) авторских прав</kwd><kwd>право</kwd><kwd>право интеллектуальной собственности</kwd><kwd>социальные сети</kwd><kwd>цифровая среда</kwd><kwd>цифровые технологии</kwd></kwd-group><kwd-group xml:lang="en"><kwd>artificial intelligence</kwd><kwd>author’s moral rights</kwd><kwd>copyright</kwd><kwd>digital environment</kwd><kwd>digital technologies</kwd><kwd>intellectual property right</kwd><kwd>law</kwd><kwd>non-fungible tokens (NFT)</kwd><kwd>protection of copyright</kwd><kwd>social networks</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Adeney, E. (2006). The Moral Rights of Authors and Performers. An International and Comparative Analysis. New York: Oxford University Press.</mixed-citation><mixed-citation xml:lang="en">Adeney, E. (2006). The Moral Rights of Authors and Performers. An International and Comparative Analysis. New York: Oxford University Press.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Adler, A. (2009). Against Moral Rights, California Law Review, 97(1), 263.</mixed-citation><mixed-citation xml:lang="en">Adler, A. (2009). Against Moral Rights, California Law Review, 97(1), 263.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Brożeka, B., &amp; Janik, B. (2019). Can artificial intelligences be moral agents? New Ideas in Psychology, 54(8), 101–106. https://doi.org/10.1016/j.newideapsych.2018.12.002</mixed-citation><mixed-citation xml:lang="en">Brożeka, B., &amp; Janik, B. (2019). Can artificial intelligences be moral agents? New Ideas in Psychology, 54(8), 101–106. https://doi.org/10.1016/j.newideapsych.2018.12.002</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Carrillo, M. R. (2020). Artificial intelligence: From ethics to law. Telecommunications Policy, 44(6). https://doi.org/10.1016/j.telpol.2020.101937</mixed-citation><mixed-citation xml:lang="en">Carrillo, M. R. (2020). Artificial intelligence: From ethics to law. Telecommunications Policy, 44(6). https://doi.org/10.1016/j.telpol.2020.101937</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">Chesterman, S. (2020). Artificial Intelligence And The Limits Of Legal Personality. International and Comparative Law Quarterly, 69(4), 819–844. https://doi.org/10.1017/S0020589320000366</mixed-citation><mixed-citation xml:lang="en">Chesterman, S. (2020). Artificial Intelligence And The Limits Of Legal Personality. International and Comparative Law Quarterly, 69(4), 819–844. https://doi.org/10.1017/S0020589320000366</mixed-citation></citation-alternatives></ref><ref id="cit6"><label>6</label><citation-alternatives><mixed-citation xml:lang="ru">de Werra, J. (2009). The moral right of integrity. E. Derclaye (Ed.), Research Handbook on the Future of EU Copyright (p. 672). Edward Elgar Publishing, Cheltenham. https://doi.org/10.4337/9781848446007.00016</mixed-citation><mixed-citation xml:lang="en">de Werra, J. (2009). The moral right of integrity. E. Derclaye (Ed.), Research Handbook on the Future of EU Copyright (p. 672). Edward Elgar Publishing, Cheltenham. https://doi.org/10.4337/9781848446007.00016</mixed-citation></citation-alternatives></ref><ref id="cit7"><label>7</label><citation-alternatives><mixed-citation xml:lang="ru">Dinwoodie, G. B. (2002). The Architecture of the International Intellectual Property System. Chicago-Kent Law Review, 77(3).</mixed-citation><mixed-citation xml:lang="en">Dinwoodie, G. B. (2002). The Architecture of the International Intellectual Property System. Chicago-Kent Law Review, 77(3).</mixed-citation></citation-alternatives></ref><ref id="cit8"><label>8</label><citation-alternatives><mixed-citation xml:lang="ru">Dworkin, G. (1995). The Moral Right of the Author: Moral Rights and the Common Law Countries. Columbia-VLA Journal of Law &amp; the Arts, 19(3–4).</mixed-citation><mixed-citation xml:lang="en">Dworkin, G. (1995). The Moral Right of the Author: Moral Rights and the Common Law Countries. Columbia-VLA Journal of Law &amp; the Arts, 19(3–4).</mixed-citation></citation-alternatives></ref><ref id="cit9"><label>9</label><citation-alternatives><mixed-citation xml:lang="ru">Erdős, B. (2015). A zenei üzleti modellek szerzői jogi háttere. Médiakutató, 16(3).</mixed-citation><mixed-citation xml:lang="en">Erdős, B. (2015). A zenei üzleti modellek szerzői jogi háttere. Médiakutató, 16(3).</mixed-citation></citation-alternatives></ref><ref id="cit10"><label>10</label><citation-alternatives><mixed-citation xml:lang="ru">Ficsor, M. (2003). Guide to the Copyright and Related Rights Treaties Administered by WIPO, and Glossary of Copyright and Related Rights Terms. World Intellectual Property Organization, Geneva. https://doi.org/10.34667/tind.36255</mixed-citation><mixed-citation xml:lang="en">Ficsor, M. (2003). Guide to the Copyright and Related Rights Treaties Administered by WIPO, and Glossary of Copyright and Related Rights Terms. World Intellectual Property Organization, Geneva. https://doi.org/10.34667/tind.36255</mixed-citation></citation-alternatives></ref><ref id="cit11"><label>11</label><citation-alternatives><mixed-citation xml:lang="ru">García-Peñalvo, F. J. (2023). The perception of Artificial Intelligence in educational contexts after the launch of ChatGPT: Disruption or Panic? Education in the Knowledge Society, 24(1). https://doi.org/10.14201/eks.31279</mixed-citation><mixed-citation xml:lang="en">García-Peñalvo, F. J. (2023). The perception of Artificial Intelligence in educational contexts after the launch of ChatGPT: Disruption or Panic? Education in the Knowledge Society, 24(1). https://doi.org/10.14201/eks.31279</mixed-citation></citation-alternatives></ref><ref id="cit12"><label>12</label><citation-alternatives><mixed-citation xml:lang="ru">Ginsburg, J. C. (1990). A Tale of Two Copyrights: Literary Property in Revolutionary France and America. Tulane Law Review, 64(5), 991–995.</mixed-citation><mixed-citation xml:lang="en">Ginsburg, J. C. (1990). A Tale of Two Copyrights: Literary Property in Revolutionary France and America. Tulane Law Review, 64(5), 991–995.</mixed-citation></citation-alternatives></ref><ref id="cit13"><label>13</label><citation-alternatives><mixed-citation xml:lang="ru">Ginsburg, J. C. (2002). Essay – How Copyright Got a Bad Name for Itself? The Columbia Journal of Law &amp; the Arts, 26(1). https://doi.org/10.2139/ssrn.342182</mixed-citation><mixed-citation xml:lang="en">Ginsburg, J. C. (2002). Essay – How Copyright Got a Bad Name for Itself? The Columbia Journal of Law &amp; the Arts, 26(1). https://doi.org/10.2139/ssrn.342182</mixed-citation></citation-alternatives></ref><ref id="cit14"><label>14</label><citation-alternatives><mixed-citation xml:lang="ru">Ginsburg, J. C. (2018). People Not Machines: Authorship and What It Means in the Berne Convention. International Review of Intellectual Property and Competition Law, 49(1), 131–135. https://doi.org/10.1007/s40319-018-0670-x</mixed-citation><mixed-citation xml:lang="en">Ginsburg, J. C. (2018). People Not Machines: Authorship and What It Means in the Berne Convention. International Review of Intellectual Property and Competition Law, 49(1), 131–135. https://doi.org/10.1007/s40319-018-0670-x</mixed-citation></citation-alternatives></ref><ref id="cit15"><label>15</label><citation-alternatives><mixed-citation xml:lang="ru">Ginsburg, J. C. (2001). Have Moral Rights Come of (Digital) Age in the United States? Cardozo Arts &amp; Entertainment Law Journal, 19(9).</mixed-citation><mixed-citation xml:lang="en">Ginsburg, J. C. (2001). Have Moral Rights Come of (Digital) Age in the United States? Cardozo Arts &amp; Entertainment Law Journal, 19(9).</mixed-citation></citation-alternatives></ref><ref id="cit16"><label>16</label><citation-alternatives><mixed-citation xml:lang="ru">Goldschmidt, J. (2002). In Defense of Ghostwriting. Fordham Urban Law Journal, 29(3), 1145–1212.</mixed-citation><mixed-citation xml:lang="en">Goldschmidt, J. (2002). In Defense of Ghostwriting. Fordham Urban Law Journal, 29(3), 1145–1212.</mixed-citation></citation-alternatives></ref><ref id="cit17"><label>17</label><citation-alternatives><mixed-citation xml:lang="ru">Grad-Gyenge, A. (2023). A mesterséges intelligencia által generált tartalmak értelmezésének lehetőségei a szerzői jog útján. MTA Law Working Papers, 2023(2).</mixed-citation><mixed-citation xml:lang="en">Grad-Gyenge, A. (2023). A mesterséges intelligencia által generált tartalmak értelmezésének lehetőségei a szerzői jog útján. MTA Law Working Papers, 2023(2).</mixed-citation></citation-alternatives></ref><ref id="cit18"><label>18</label><citation-alternatives><mixed-citation xml:lang="ru">Grazian, D. (2005). A Digital Revolution? A Reassessment of New Media and Cultural Production in the Digital Age. Annals of AAPSS, 597(1). https://doi.org/10.1177/0002716204270286</mixed-citation><mixed-citation xml:lang="en">Grazian, D. (2005). A Digital Revolution? A Reassessment of New Media and Cultural Production in the Digital Age. Annals of AAPSS, 597(1). https://doi.org/10.1177/0002716204270286</mixed-citation></citation-alternatives></ref><ref id="cit19"><label>19</label><citation-alternatives><mixed-citation xml:lang="ru">Grosheide, W. (2009). Moral rights.In E. Derclay (Ed.). Research Handbook on the Future of EU Copyright. Edward Elgar Publishing, Cheltenham. https://doi.org/10.4337/9781848446007.00015</mixed-citation><mixed-citation xml:lang="en">Grosheide, W. (2009). Moral rights.In E. Derclay (Ed.). Research Handbook on the Future of EU Copyright. Edward Elgar Publishing, Cheltenham. https://doi.org/10.4337/9781848446007.00015</mixed-citation></citation-alternatives></ref><ref id="cit20"><label>20</label><citation-alternatives><mixed-citation xml:lang="ru">Gyertyánfy, P. (2014). Nagykommentár a szerzői jogi törvényhez. Wolters Kluwer, Budapest.</mixed-citation><mixed-citation xml:lang="en">Gyertyánfy, P. (2014). Nagykommentár a szerzői jogi törvényhez. Wolters Kluwer, Budapest.</mixed-citation></citation-alternatives></ref><ref id="cit21"><label>21</label><citation-alternatives><mixed-citation xml:lang="ru">Halász, Cs. (2020). Személyiségi jogok a közösségi médiában – új kihívások a bírói gyakorlat tükrében. Publicationes Universitatis Miskolcinensis, Sectio Juridica et Politica, 38(1), 341–357. https://doi.org/10.32978/sjp.2020.020</mixed-citation><mixed-citation xml:lang="en">Halász, Cs. (2020). Személyiségi jogok a közösségi médiában – új kihívások a bírói gyakorlat tükrében. Publicationes Universitatis Miskolcinensis, Sectio Juridica et Politica, 38(1), 341–357. https://doi.org/10.32978/sjp.2020.020</mixed-citation></citation-alternatives></ref><ref id="cit22"><label>22</label><citation-alternatives><mixed-citation xml:lang="ru">Hristov, K. (2017). Artificial Intelligence and the Copyright Dilemma. IDEA –The Journal of the Franklin Pierce Centre for Intellectual Property, 57, 431–454.</mixed-citation><mixed-citation xml:lang="en">Hristov, K. (2017). Artificial Intelligence and the Copyright Dilemma. IDEA –The Journal of the Franklin Pierce Centre for Intellectual Property, 57, 431–454.</mixed-citation></citation-alternatives></ref><ref id="cit23"><label>23</label><citation-alternatives><mixed-citation xml:lang="ru">Koltay, A. (2018). A véleménynyilvánításszabadsága. In A. Jakab, &amp; B. Fekete (Eds.), Internetes Jogtudományi Enciklopédia (Alkotmányjogrovat). u</mixed-citation><mixed-citation xml:lang="en">Koltay, A. (2018). A véleménynyilvánításszabadsága. In A. Jakab, &amp; B. Fekete (Eds.), Internetes Jogtudományi Enciklopédia (Alkotmányjogrovat). u</mixed-citation></citation-alternatives></ref><ref id="cit24"><label>24</label><citation-alternatives><mixed-citation xml:lang="ru">Kwall, R. R. (1997). How Fine Art Fares Post VARA. Marquette Intellectual Property Law Review, 1(1).</mixed-citation><mixed-citation xml:lang="en">Kwall, R. R. (1997). How Fine Art Fares Post VARA. Marquette Intellectual Property Law Review, 1(1).</mixed-citation></citation-alternatives></ref><ref id="cit25"><label>25</label><citation-alternatives><mixed-citation xml:lang="ru">Mezei, P. (2020). From Leonardo to the Next Rembrandt – The Need for AI-Pessimism in the Age of Algorithms. UFITA, 84(2). https://doi.org/10.5771/2568-9185-2020-2-390</mixed-citation><mixed-citation xml:lang="en">Mezei, P. (2020). From Leonardo to the Next Rembrandt – The Need for AI-Pessimism in the Age of Algorithms. UFITA, 84(2). https://doi.org/10.5771/2568-9185-2020-2-390</mixed-citation></citation-alternatives></ref><ref id="cit26"><label>26</label><citation-alternatives><mixed-citation xml:lang="ru">Miernicki, M., &amp; Ng, I. (2021). Artificial intelligence and moral rights. AI &amp; Society, 36(4), 319–329. https://doi.org/10.1007/s00146-020-01027-6</mixed-citation><mixed-citation xml:lang="en">Miernicki, M., &amp; Ng, I. (2021). Artificial intelligence and moral rights. AI &amp; Society, 36(4), 319–329. https://doi.org/10.1007/s00146-020-01027-6</mixed-citation></citation-alternatives></ref><ref id="cit27"><label>27</label><citation-alternatives><mixed-citation xml:lang="ru">Murray, M. D. (2023). Transfers and Licensing of Copyrights to NFT Purchasers. Stanford Journal of Blockchain Law &amp; Policy, 6(1). https://doi.org/10.2139/ssrn.4152475</mixed-citation><mixed-citation xml:lang="en">Murray, M. D. (2023). Transfers and Licensing of Copyrights to NFT Purchasers. Stanford Journal of Blockchain Law &amp; Policy, 6(1). https://doi.org/10.2139/ssrn.4152475</mixed-citation></citation-alternatives></ref><ref id="cit28"><label>28</label><citation-alternatives><mixed-citation xml:lang="ru">Netz, D. (2018). A mesterséges intelligencia hatása a szerzői jogra. Iparjogvédelmi és Szerzői Jogi Szemle, 13(6).</mixed-citation><mixed-citation xml:lang="en">Netz, D. (2018). A mesterséges intelligencia hatása a szerzői jogra. Iparjogvédelmi és Szerzői Jogi Szemle, 13(6).</mixed-citation></citation-alternatives></ref><ref id="cit29"><label>29</label><citation-alternatives><mixed-citation xml:lang="ru">Pessach, G. (2003). The Author’s Moral Right of Integrity in Cyberspace – A Preliminary Normative Framework. International Review of Industrial Property and Copyright Law, 35(3).</mixed-citation><mixed-citation xml:lang="en">Pessach, G. (2003). The Author’s Moral Right of Integrity in Cyberspace – A Preliminary Normative Framework. International Review of Industrial Property and Copyright Law, 35(3).</mixed-citation></citation-alternatives></ref><ref id="cit30"><label>30</label><citation-alternatives><mixed-citation xml:lang="ru">Pogácsás, A. (2022). Formalitásmentes oltalom elve a szerzői jogban – puszta hagyománytisztelet vagy a modern szerzői jog kiindulópontja? In Á. Juhász(Ed.), Elmélet és praktikum − hagyománytisztelet és modernitás (pp. 78–92). Miskolci Egyetem Államés Jogtudományi Kar Miskolc.</mixed-citation><mixed-citation xml:lang="en">Pogácsás, A. (2022). Formalitásmentes oltalom elve a szerzői jogban – puszta hagyománytisztelet vagy a modern szerzői jog kiindulópontja? In Á. Juhász(Ed.), Elmélet és praktikum − hagyománytisztelet és modernitás (pp. 78–92). Miskolci Egyetem Államés Jogtudományi Kar Miskolc.</mixed-citation></citation-alternatives></ref><ref id="cit31"><label>31</label><citation-alternatives><mixed-citation xml:lang="ru">Pogácsás, A. (2014). A szerző jelentősége és művével való kapcsolata. Iustum Aequum Salutare, 10(1), 149–162.</mixed-citation><mixed-citation xml:lang="en">Pogácsás, A. (2014). A szerző jelentősége és művével való kapcsolata. Iustum Aequum Salutare, 10(1), 149–162.</mixed-citation></citation-alternatives></ref><ref id="cit32"><label>32</label><citation-alternatives><mixed-citation xml:lang="ru">Pogácsás, A. (2017). Tartalomáramlás és hozzáférésa szerzői jog „fogyasztói korszakában”. Medias Res, 6(1).</mixed-citation><mixed-citation xml:lang="en">Pogácsás, A. (2017). Tartalomáramlás és hozzáférésa szerzői jog „fogyasztói korszakában”. Medias Res, 6(1).</mixed-citation></citation-alternatives></ref><ref id="cit33"><label>33</label><citation-alternatives><mixed-citation xml:lang="ru">Pogácsás, A. (2023). Az internetfolklór szerzői jogi megítélése és annak hatása a szólásszabadságra. Medias Res, 12(1). https://doi.org/10.59851/imr.12.1.1</mixed-citation><mixed-citation xml:lang="en">Pogácsás, A. (2023). Az internetfolklór szerzői jogi megítélése és annak hatása a szólásszabadságra. Medias Res, 12(1). https://doi.org/10.59851/imr.12.1.1</mixed-citation></citation-alternatives></ref><ref id="cit34"><label>34</label><citation-alternatives><mixed-citation xml:lang="ru">Pusztahelyi, R., &amp; Stefán, I. (2022). Household Social Robots − Special Issues Relating to Data Protection. Acta Universitatis Sapientiae Legal Studies, 11(1), 95–118. https://doi.org/10.47745/AUSLEG.2022.11.1.06</mixed-citation><mixed-citation xml:lang="en">Pusztahelyi, R., &amp; Stefán, I. (2022). Household Social Robots − Special Issues Relating to Data Protection. Acta Universitatis Sapientiae Legal Studies, 11(1), 95–118. https://doi.org/10.47745/AUSLEG.2022.11.1.06</mixed-citation></citation-alternatives></ref><ref id="cit35"><label>35</label><citation-alternatives><mixed-citation xml:lang="ru">Rose, M. (1994). Authors and Owners: The Invention of Copyright. Harvard University Press Cambridge.</mixed-citation><mixed-citation xml:lang="en">Rose, M. (1994). Authors and Owners: The Invention of Copyright. Harvard University Press Cambridge.</mixed-citation></citation-alternatives></ref><ref id="cit36"><label>36</label><citation-alternatives><mixed-citation xml:lang="ru">Salami, E. (2021). AI-generated works and copyright law: towards a union of strange bedfellows. Journal of Intellectual Property Law &amp; Practice, 16(2). https://doi.org/10.1093/jiplp/jpaa189</mixed-citation><mixed-citation xml:lang="en">Salami, E. (2021). AI-generated works and copyright law: towards a union of strange bedfellows. Journal of Intellectual Property Law &amp; Practice, 16(2). https://doi.org/10.1093/jiplp/jpaa189</mixed-citation></citation-alternatives></ref><ref id="cit37"><label>37</label><citation-alternatives><mixed-citation xml:lang="ru">Sápi, E., &amp; Halász, Cs. (2021). Mephisto hamarosan ötvenéves. Az alkotás és a véleménynyilvánítás szabadságának szerzői és személyiségi jogi ütközéspontjai. Medias Res, 10(1).</mixed-citation><mixed-citation xml:lang="en">Sápi, E., &amp; Halász, Cs. (2021). Mephisto hamarosan ötvenéves. Az alkotás és a véleménynyilvánítás szabadságának szerzői és személyiségi jogi ütközéspontjai. Medias Res, 10(1).</mixed-citation></citation-alternatives></ref><ref id="cit38"><label>38</label><citation-alternatives><mixed-citation xml:lang="ru">Schafer, B. et al. (2015). A fourth law of robotics? Copyright and the law and ethics of machine co-production. Artificial Intelligence and Law, 23(3), 217–240. https://doi.org/10.1007/s10506-015-9169-7</mixed-citation><mixed-citation xml:lang="en">Schafer, B. et al. (2015). A fourth law of robotics? Copyright and the law and ethics of machine co-production. Artificial Intelligence and Law, 23(3), 217–240. https://doi.org/10.1007/s10506-015-9169-7</mixed-citation></citation-alternatives></ref><ref id="cit39"><label>39</label><citation-alternatives><mixed-citation xml:lang="ru">Schéré, E. (2018). Where is the Morality? Moral Rights in International Intellectual Property and Trade Law. Fordham International Law Journal, 41(3).</mixed-citation><mixed-citation xml:lang="en">Schéré, E. (2018). Where is the Morality? Moral Rights in International Intellectual Property and Trade Law. Fordham International Law Journal, 41(3).</mixed-citation></citation-alternatives></ref><ref id="cit40"><label>40</label><citation-alternatives><mixed-citation xml:lang="ru">Simon, D. (2014). A szerzői jogi ágazatok gazdasági ágazatok súlya Magyarországon 4. Budapest, Szellemi Tulajdon Nemzeti Hivatala.</mixed-citation><mixed-citation xml:lang="en">Simon, D. (2014). A szerzői jogi ágazatok gazdasági ágazatok súlya Magyarországon 4. Budapest, Szellemi Tulajdon Nemzeti Hivatala.</mixed-citation></citation-alternatives></ref><ref id="cit41"><label>41</label><citation-alternatives><mixed-citation xml:lang="ru">Stokes, S. (2012). Art and Copyright. Hart Publishing, Oxford.</mixed-citation><mixed-citation xml:lang="en">Stokes, S. (2012). Art and Copyright. Hart Publishing, Oxford.</mixed-citation></citation-alternatives></ref><ref id="cit42"><label>42</label><citation-alternatives><mixed-citation xml:lang="ru">Sword, H. (2002). Ghostwriting Modernism. Cornell University Press, Ithaca. https://doi.org/10.7591/9781501717666</mixed-citation><mixed-citation xml:lang="en">Sword, H. (2002). Ghostwriting Modernism. Cornell University Press, Ithaca. https://doi.org/10.7591/9781501717666</mixed-citation></citation-alternatives></ref><ref id="cit43"><label>43</label><citation-alternatives><mixed-citation xml:lang="ru">Vjayakumaran, A. (2021). NFTs and Copyright Quandary. Journal of Intellectual Property, Information Technology and Electronic Commerce Law, 12(5).</mixed-citation><mixed-citation xml:lang="en">Vjayakumaran, A. (2021). NFTs and Copyright Quandary. Journal of Intellectual Property, Information Technology and Electronic Commerce Law, 12(5).</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
